#Nardini Editore

[statoprecario]

Premio Strega 2024 Gianni Maritati propone L'ULTIMO TRENO DA KIEV - Romanzo di Stefania Nardini - Les Flaneurs edizioni

Stefania Nardini L’ULTIMO TRENO DA KIEVLes Flâneurs edizioni L’ultimo treno da Kiev di Stefania Nardini è stato proposto al Premio Strega 2024 dal giornalista del Tg1 Gianni Maritati con la seguente motivazione:«Con uno stile aderente alla crudezza della realtà raccontata, il romanzo ricostruisce in modo doloroso la fuga di tante donne ucraine dalla fame e dalla guerra. Con gli occhi di Irina,…

[ulkaralakbarova]

In seaside Italy, a Holocaust survivor with a daycare business takes in a 12-year-old street kid who recently robbed her. Credits: TheMovieDb. Film Cast: Madame Rosa: Sophia Loren Momo: Ibrahima Gueye Dr. Coen: Renato Carpentieri Iosif: Diego Iosif Pirvu Ruspa: Massimiliano Rossi Lola: Abril Zamora Mr. Hamil: Babak Karimi Nala: Malich Cissé Babu: Simone Surico Molinari: Nicola Valenzano Carabiniere: Francesco Cassano Film Crew: Music: Gabriel Yared Sound Designer: Maurizio Argentieri Editor: Jacopo Quadri Director of Photography: Angus Hudson Executive Producer: Guendalina Ponti Screenplay: Ugo Chiti Production Design: Maurizio Sabatini Executive Music Producer: Bonnie Greenberg Novel: Romain Gary Executive Producer: Edoardo Ponti Associate Producer: Marco Camilli Executive Producer: Geralyn White Dreyfous Producer: Regina K. Scully Co-Executive Producer: Susan Rockefeller Costume Designer: Ursula Patzak Songs: Diane Warren Associate Producer: Luigi Pinto Casting: Chiara Polizzi Executive Producer: Patrizia Massa Makeup Artist: Frédérique Foglia Hairstylist: Enzo Angileri Sound Mixer: Francesco Cucinelli Writer: Fabio Natale Visual Effects Supervisor: Rodolfo Migliari Art Direction: Maurizio di Clemente Producer: Lynda Weinman Executive Producer: Jamie Wolf Producer: Nicola Serra Sound Editor: Gianni Monciotti Associate Producer: Davide Nardini Producer: Carlo Degli Esposti Unit Production Manager: Diego Cavallo Executive Producer: Esmeralda Swartz Executive Producer: David Paradice Movie Reviews:

[scottwellsmagic]

773: S.A.M. 2023 Convention in New Orleans - Day Three Report

Tuesday, July 25th

9:00 AM SAM EVENT 2: S.A.M. Life Members Reception: The Magic Castle 60 Years “Matinkas Back Room”

10:00 AM EXHIBITORS Open “Kellar Exhibitor Hall”

10:00 AM Registration Open Vieux Carre Foyer

10:30 AM SHOW 4: International Pro Close-Up Show: R. Paul Wilson and Friends. Featuring Jason England (USA), Paul Nardini (Scotland), Giancarlo Scalia (Spain/Italy),    R. Paul Wilson (Scotland), and more - “Thurston Lecture Hall”

1:30 PM SAM EVENT 3: Convention Honoree: Tina and Friends – panel discussion “Matinkas Back Room”

2:00 PM Registration Close Vieux Carre Foyer

3:30 PM SAM EVENT 4: Magic in America: The Story of the Society of American Magicians by David Goodsell – discussion by Editor David Charvet “Matinkas Back Room”

5:00 PM Dealers Close “Kellar Exhibitor Hall” 6:00 PM PARTY 3: Cocktail Hour & Magic in the USA Book Release - Vieux Carre Foyer

7:30 PM SAM EVENT 5: SAM Banquet and Comedy Magic Show 5 “Thurston Lecture Hall”

10:30 PM SHOW 6: SAM LATE NITE: Masquerade Magic: magic by Michael Dardant and Dante; Minx Burlesque with Trixie Minx, Madame Mystere, and Mamie Dame; guest starring : Meadow Perry

Time stamps for this podcast: TO BE ADDED AFTER I HAVE GOTTEN SOME SLEEP

00:00:18 -

Download this podcast in an MP3 file by Clicking Here and then right click to save the file. You can also subscribe to the RSS feed by Clicking Here. You can download or listen to the podcast through Stitcher by Clicking Here or through FeedPress by Clicking Here or through Tunein.com by Clicking Here or through iHeart Radio by Clicking Here..If you have a Spotify account, then you can also hear us through that app, too. You can also listen through your Amazon Alexa and Google Home devices. Remember, you can download it through the iTunes store, too. See the preview page by Clicking Here

[queerographies]

[Come eravamo][Giovanni Rodella][Ivan Teobaldelli]

"Come eravamo" è il risultato di un percorso storico sia personale sia della comunità gay, iniziato cinquant’anni fa e che Giovanni Rodella ha voluto documentare.

Questo libro è il risultato di un percorso storico sia personale sia della comunità gay, iniziato cinquant’anni fa e che Giovanni Rodella ha voluto documentare qui e nella mostra fotografica organizzata con la Galleria Immaginaria di Firenze, che raccoglie alcuni degli scatti di quel periodo insieme a immagini realizzate, in vari eventi, negli anni successivi. Oggi, la comunità gay è riconosciuta…

[fashionbooksmilano]

Storia dell’oreficeria e dell’arte tessile in Toscana

dal Medioevo all’età Moderna

Giuseppe Cantelli 

Nardini Editore per Banca Toscana, Firenze 1996, 316 pagine, 315 ill col. e b/n 

euro 40,00

email if you want to buy booksinprogressmilano@yahoo.it

Le Arti Minori si collocano al centro di un complesso crocevia nel quale confluiscono le vicissitudini politico - economiche delle diverse città, l'evoluzione della vita civile e religiosa, le suggestioni e gli stimoli provenienti dalla Pittura e dalla Scultura. Con questo volume l'autore ci propone un itinerario guidato attraverso i percorsi storici dell'oreficeria e dell'arte tessile dal medioevo all'età moderna, in un inedito confronto fra le due arti.

20/08/20

orders to:     booksinprogressmilano@yahoo.it

ordini a:        booksinprogressmilano@yahoo.it

twitter:@fashionbooksmi

instagram:         fashionbooksmilano, designbooksmilano    tumblr:               fashionbooksmilano, designbooksmilano

[acocktailmoment]

Kingdom of Savoy!

Nathan McCarley-O'Neill, The NoMad, New York,

INGREDIENTS:

Serving: 1

1 ounce pineapple juice

3/4 ounce absinthe, preferably Pernod

3/4 ounce coconut syrup (see Editor's Note)

1/2 ounce Nardini Amaro

1/2 ounce lime juice

1/4 ounce Branca Menta

1/4 ounce cane syrup (2:1, cane sugar:water)

Garnish: 2 pineapple fronds, mint bouquet

DIRECTIONS

Combine all ingredients in a mixing tin and shake briefly with ice.

Strain into a Belgium beer glass over crushed ice.

Garnish with pineapple fronds and a mint bouquet. 

 Coconut Syrup: 4 1/2 cans coconut milk 1/2 quart coconut chips 15 ounces filtered water Demerara sugar, as needed Line a sheet pan with coconut chips and toast until golden brown. Separately, bring the coconut milk and water to simmer. Pass through a chinois. Add demerara sugar in a ratio of 2:1, sugar:coconut milk mixture. Stir until dissolved.

Credit: Punch, Photo: LIZZIE MUNRO

[giovandal]

Sono 23 racconti in movimento e intensi, dai quali Giovanni Granatelli avrebbe potuto, forse può ancora, ricavare altrettanti romanzi. Sì, uscire dalla stazione di Santa Lucia, o riuscire a passare indenni il ponte di Calatrava per chi arriva da Piazzale Roma, aggiungo io, teletrasporta ogni volta nella favola di Venezia e sì, piazza Unità d’Italia a Trieste è di una bellezza commovente in una città che incanta.

Da questi racconti, come succede molto più di quanto non accada per altri romanzi, ognuno prenderà molteplici spunti e suggestioni, perché in queste 112 pagine non si segue una trama che distrae, ma una vita viva che scava in quella di chi legge.

La posologia suggerirebbe di non essere ingordi per avere il massimo beneficio, ma la curiosità ha il sopravvento e il libro finisce in fretta. (gda)

————————————

[…] Imparavo a memoria che si può venire a patti con demoni di ogni genere ma è quasi impossibile ammansire quelli del rimpianto. […]

[…] Per quel che mi riguarda, il sentimento sciovinista è del tutto incomprensibile: Non ne faccio nemmeno una questione di pensiero, etica, convinzioni. È come una foresta di indecifrabili ideogrammi, un’equazione matematica per un bambino di due anni, un discorso pronunciato aI contrario, una teoria evoluzionistica che ci voglia discendenti dalle arachidi: un’assoluta astrusità. […]

da Spostamenti Prose e racconti (2020, Nardini Editore/Iena Reader)

di Giovanni Granatelli

[diaridicineclub]

QL Quaderni Letterari

la rubrica sulla cultura editoriale di Diari di Cineclub per raccontare di prosa, poesia, testi teatrali, narrativa, saggistica. La trasmissione radiofonica condotta da Maria Rosaria Perilli in podcast su RadioBrada e Diari di Cineclub Radio DdCR avrà cadenza mensile. Questa puntata, ospite della trasmissione, Ennio Bazzoni, direttore editoriale della storica Nardini Editore di Firenze.Ascolta in - DdCR - Diari di Cineclub Radio | www.cineclubroma.it/…/650-ql-quaderni-letterari-prima-punta… - Radio Brada/Canale Diari di Cineclub | www.spreaker.com/user/10037984/quaderniletterari1 Sul numero del periodico Diari di Cineclub in uscita il 1° Febbraio un articolo della conduttrice che riassumerà la puntata. Tutti i collaboratori di Diari di Cineclub sono volontari. Non si accetta pubblicità e si rifiutano finanziamenti. Il costo è zero e il periodico viene distribuito gratuitamente ed è presente sulle principali piattaforme social. * Locandina curata dal maestro Massimo Pellegrinotti

[dixie78]

Jane Bradley: I'm refraining from doing my youth dream job, are you?

Ending up being a press reporter is an ambition for many kids prior to they go with something more 'sensible', however I wanted to be a vet, composes Jane Bradley.What did you want to

be when you matured? I imagined winding up being

a vet, after a summer season see to my auntie and uncle who reside on a horse farm in the United States and run a veterinary health center. Age 6, seeing my Uncle Lenny stick his gloved hand into a horse to check on the position of a soon-to-be-born foal appeared in some way to be an unimaginably glamorous profession path.Combine that with a love for the 1980s TELEVISION series All Creatures Great and Small and the scene was set: I was going to be a female James Herriot with an efficient small animal practice in the Yorkshire Dales.There was just one

concern, which I didn't genuinely admit to myself up till a couple of years later on-- I didn't in fact like animals that much. I was also, though I disliked to acknowledge it, a little frightened of them, especially the ones with teeth. I would have made a dreadful vet. I later on altered my obligations to the composed word and by the age of 10, had chosen my fate remained in journalism. Unusually, obviously, I in some method appear to have actually remained with it. A report out today noted journalism as one of those professions which individuals ranked as their top aspirations when they were kids-- in addition to style design and private investigator-- however which they quickly dumped in favour of a more"useful"career when they grew up.The study, from tasks website Definitely, likewise discovered that horticulturalists, wine cups

and wedding occasion organizers make the list of things that youths believed they might do, but that were quickly dropped in favour of more useful options as they got older.Some, clearly, such as my coworker Kevan-- who put journalistic dreams on hold from the age of 16, however lastly got his very first paper task aged 37-- have in fact been fortunate enough to wind up operating in their selected occupation. My friend Tamsyn based her teenage profession choice on fellow Scot Anna, a character in 1990s TELEVISION series This Life, played by Daniela Nardini-- and persevered." I wished to be an attorney, like Anna in 'This Life '," she described."I am an attorney and I still have a hairdo influenced by Anna's, so I think that's a win. "Sometimes, obviously, life throws up opportunities that people would never ever otherwise have thought about-- or discovered. A good deal of profession options are made through basic possibility-- or lack thereof. In the place I matured in, practically everybody run in the chemical market: either as engineers or on the plant flooring. Outside of that, other people had regular tasks which need to exist everywhere: in retail, the service sector, mentor, medication. It was only when I went to university that I understood that other people( or rather other people's mommies and fathers) did things for a living that I 'd never ever even heard of: marketing executives, marketing supervisors, charity fundraising events. If I 'd comprehended they existed previously, they might well have really entered into my long-lasting plan.When he was 5, my excellent buddy John notified his sis that he wanted to end up being a cow when he grew up. It is possible that he was bring up a cow of the pantomime variety, as in his teenagers he accepted an interest for acting as well as finished drama school-- simply to end up being associated with a summertime charity assistance program which took him to eastern Europe, where he has lived, running in different capabilities, for the bulk of the previous 2 decades.My previous university flatmate, Mike, on the other hand, imagined being editor of the Beano, delayed his degree for a year to play in a semi-successful rock band in Italy, and has now lastly calmed down in Singapore, where he operates in sales for a sports media team.Is he happy

with his choice? He says so, though I privately question whether he is holding out hope that he will one day scoop the leading job which will enable him to choose the adventures of Dennis and Gnasher and give out badges for the Beano fan club.Oliver desired to end up being an architect, but his musical skill took control of and

he was required to put aside a steady career-- still messing around design on the side-- to front amongst the UK's most effective cover bands.Others have realised their youth dreams, even if it has really taken years to do so. In truth, I am pleased at the number of my buddies state they have really achieved the aspirations they set on their own as kids. Laura wanted to be a dancer and, at the age of 20, scooped a job at the Moulin Rouge in Paris. Jayne wished to be a professional photographer or a steam train driver.After a lengthy occupation in photography, she is now in training to drive steam engines in her additional time, complete with bring boiler fit and flat cap.Edinburgh-based author Alison Belsham informs me she harboured ambitions to be a tap dancer for much of her youth, however found herself rather obstructed by her 2 left feet." I did it at school, nevertheless I was absolutely helpless, "she confesses." However I similarly wished to be an author, which I have really simply attained."Even some of those who have actually made a long and successful occupation out of a non-practical job needed to wait it out before they achieved their objective. Star Hugh Jackman, best understood for playing Wolverine in the X-Men movie was used as a PE teacher at an English public school, while Whoopie Goldberg worked as a beauty therapist in a morgue prior to shooting to popularity as one of the world's best-known actresses.The Certainly report claims that more people are returning to jobs relating to an interest, enthusiasm and activity, with just 12 percent of those surveyed mentioning that earnings was a substantial consider their chosen profession.When I told my veterinarian auntie that I was composing this column, she confessed that she, too, was horrified of family pets as a kid-- and suffered extra problems after being informed by a 1960s headmistress that a woman could not study veterinary medication. Perhaps there's still want me yet.

[tmnotizie]

ROTELLA – C’è tempo fino a domani, domenica 29 settembre per visitare la mostra “Annunciazioni ‘crivellesche’ tra Marca e Abruzzo: il ritorno delle sculture di Rotella nelle terre ferite dal sisma”,allestita dal 29 giugno nel Museo di Arte Sacra di Rotella in via Ciccolini, aperta dalle 10,30 alle 12,30 e dalle 16 alle 19.

Un’evento, ideato e voluto dai Musei Sistini del Piceno diretti da Paola Di Girolami, e «reso possibile dall’impegno dell’amministrazione comunale (capitanata dal sindaco Giovanni Borraccini, ndr) la quale si è resa parte pienamente attiva anche per reperire i fondi necessari», spiega la direttrice stessa.

Il nucleo dell’esposizione consiste nel ritorno a Rotella delle due sculture lignee raffiguranti ‘l’Annunciazione’ che 100 anni fa furono vendute dall’allora parroco e acquistate dalla Galleria Nazionale delle Marche di Urbino. Come è ben documentato nel catalogo della mostra, edito dalla Nardini Editore di Firenze, queste sculture di Rotella, di scuola crivellesca, sono state messe in mostra a diretto confronto con altri gruppi dell’Annunciazione provenienti da importanti Musei Nazionali come il Bargello di Firenze e la Galleria Nazionale dell’Umbria.

«Finalmente messe a raffronto non solo da esimi studiosi fin dagli anni ’30 e ’40 ma anche oggi da importanti storici dell’arte come Del Priori», sottolinea la Di Girolami. Tanto da attirare a Rotella l’attenzione di nomi illustri quali Peter Aufreiter direttore della Galleria Urbinate, di  Vittorio Sgarbi, protagonista di una affascinante lectio magistralis nell’ambito della quale ha illustrato tutte le opere presenti nel catalogo e in mostra apprezzando anche il bel borgo di Rotella: «I piccoli  centri come Rotella, possono essere ricchi di iniziative di qualità culturale avendo un patrimonio artistico sconosciuto e che merita di essere messo in luce».

O di Neri Marcorè, che nell’ultima tappa dell’edizione 2019 di Risorgimarche (a Macereto il 7 agosto) ha lanciato un accorato appello: «Andiamo a visitare la splendida mostra delle opere crivellesche a Rotella. Spingiamo tutti nella stessa direzione, verso la rinascita di queste terre colpite dal terremoto, affinché possano risorgere attraverso tutto quello che si può legare con la musica e l’arte. Da soli non si va da nessuna parte, insieme ci sono molte possibilità in più».

La mostra è stata un successo, sulla scia della mostra “Opere d’arte salvate dal terremoto”, allestita lo scorso anno sempre nel Museo di Arte Sacra di Rotella, e che fece registrare 1.480 presenze, di cui 800 intercettate con il biglietto abbinato alla manifestazione “Porco Festival”, beneficio di cui nel 2019 non si è goduto poiché la manifestazione non è stata fatta.

Nonostante ciò, la mostra sulle ‘Annunciazioni crivellesche’ ha superato abbondantemente la quota dei 1.000 visitatori. «Un traguardo importante – commenta la dottoressa – se si considera che i visitatori sono andati appositamente nel  piccolo borgo di Rotella non proprio facile da raggiungere»

Numerosi, interessati ed entusiasti anche gli alunni delle scuole del paese che, accompagnati dall’insegnante di religione, si sono alternati al Museo in questi giorni. Ieri, venerdì 27 settembre l’ultimo gruppo. Un altro è atteso anche dopo la chiusura, lunedì mattina.

«La mostra di Rotella – dice ancora la direttrice Giovanna Borraccini- rientra nel ricco calendario delle iniziative dei Musei Sistini del Piceno che da, certamente risalto al luogo dove si svolge,  nel contempo però, valorizzano l’intera rete museale che in quello stesso periodo registra un aumento dei visitatori in tutte le sedi. Dare risalto ad una sede piuttosto che ad un’altra, a volte, è dettato dalla concomitanza di fattori di diversa natura. Il post terremoto, ad esempio, ha richiesto a Montemonaco una più assidua presenza per quasi due anni. La ricorrenza del centenario, a Rotella, ha offerto l’occasione per la mostra, che è stato possibile allestire per la disponibilità di uno spazio e la concreta collaborazione di un’amministrazione comunale».

I Musei Sistini del Piceno sono presenti, nella provincia di Ascoli, a Castignano (la sede è adesso al Polo museale delle Icone), Comunanza, Force, Grottammare,  Montalto delle Marche (al momento chiuso per inagibilità), Montemonaco, Monteprandone, Ripatransone, Rotella e San Benedetto del Tronto.

[digital-strategy]

Publishers had plenty of warning the Great Facebook News Feed Purge was coming. That doesn’t make the news any less painful for many. Digiday spoke to several publishers about who wins and who loses in the aftermath.

Winners

Giant publishers Facebook evened the playing field for publishers. It was what enabled overnight traffic sensations like Upworthy, ViralNova and Elite Daily. But for big publishers, losing Facebook audience will be less traumatic, only because the biggest publishers are by nature big everywhere. Their ubiquity when it come to platforms protects them from changes to one.

Earlier this week, Meredith Artley, editor-in-chief at CNN Digital, recorded an episode of the Digiday Podcast and spoke to this before the news broke about Facebook deprioritizing publisher content.

“We don’t put all of our eggs in the Facebook basket,” she said. “This ubiquity and the focus on your [owned and operated platform] is everything. It is the thing that you control. The media industry collectively freaks out when Facebook makes a change that impacts your business. Well, what were you expecting? It’s their platform, and they’re not in the news business.”

Publishers with well-established brands independent of Facebook will fare less badly because people will keep sharing those publishers’ content organically, and it’ll get surfaced in people’s feeds that way.

“I would be OK from the CNN perspective to have Facebook less involved,” Artley said. “It’s on us if we put all our eggs in that basket. Let’s control the things that we can.”

Entertainment publishers and celebrities Many news reporters confuse “publishing” with “news.” There’s a broad world outside the latest Trump outrage. Facebook has already been signaling its unease with news publishers in its important media initiative, Facebook Watch. Facebook has emphasized celebrity and entertainment shows in Watch, such as “Ball in the Family” with LaVar Ball.

May 21 - 23, 2018

Scottsdale, AZ

Download a preview of a research report available exclusively to Digiday+ members highlighting the biggest challenges for agency executives.

“They are not going to do any Watch show without a celebrity in it,” said a publishing exec. “I think they’re saying, ‘F publishers, we’re going to go to personalities.’”

Another publishing exec said Facebook has for months been asking them for more “personality-driven” video. Similarly, lifestyle and entertainment publishers are poised to fare better with the engagement Facebook is emphasizing. Users are more likely to share and comment on uplifting, humorous and identity-related posts than a local news story about a kidnapping.

“Who’s going to suffer the most are publishers that put out videos and articles that basically nobody wants to comment on and nobody wants to share,” one publishing executive said.

It isn’t all good news for lighthearted content, though. Clicky content about sex, for example, performed well on Facebook, but people who click on those posts don’t typically wish to telegraph that fact with likes, shares and comments. Publishers that have seen success posting more “personal” content on Facebook could see a hit.

Media brands with loyal audiences Facebook has long enabled giant audiences, but the connections media brands have to these audiences is flimsy. In the news feed, publisher content sits astride fake news, baby photos, viral memes and all manner of ephemera. It’s hardly the place to build brand loyalty and daily habits. Media companies like Barstool Sports, which have rabidly loyal followings, are positioned well in what comes next in digital media. Facebook could go away tomorrow, and “Stoolies” will still be obsessed with the brand and its cast of personalities.

“Brands who have a point of view and command their own engagement will be OK,” said Erika Nardini, CEO of Barstool. “The closer you are to a friend, the better.”

Twitter as a media platform Many publishers grouse about the power of Facebook, hoping an alternative will emerge other than Google. Apple News has shown flickers of hope. Snapchat has mostly disappointed. But with Facebook clearly pulling back on news content — let’s face it, Facebook doesn’t need the headaches — there’s suddenly one platform perfectly suited for news: Twitter. In the past year, publishers have seen more signs of hope out of Twitter. Witness Bloomberg’s decision to launch a live video news platform on Twitter, not Facebook.

“Twitter is now on its own as a news and media platform,” said Jason Stein, CEO of Cycle Media. “Nobody else is playing in that space at all.”

Losers

Facebook’s credibility with publishers This isn’t the first Facebook rodeo for publishers. For years, they’ve followed Facebook’s lead with its ever-changing platform. When Facebook wanted shares, publishers delivered them, often with cringeworthy tactics collectively known as clickbait. When Facebook wanted live video, publishers ginned up live video. The same happened when it wanted in-feed video. The list goes on.

Facebook is trying to calm publisher nerves over this latest, biggest change by reassuring them they will be just fine so long as they emphasize engagement. But many publishers have seen this movie 15 times already. One media CEO spoke with a Facebook rep after the news and received reassurance they’d be fine based on their high engagement. The rep couldn’t then answer questions about why reach had still declined noticeably lately. The Facebook machine is now so big that publishers have lost trust that their point people at Facebook even know what’s truly going on.

“I don’t think they’ve treated people well,” said the exec. “Publishers are pissed. They do a lot of explaining, but they’re still really opaque. They use words like ‘engagement’ when it was really they’re cutting publishers out of the feed. They just lipstick it all the time. And they don’t give you the best practices.”

News feed addicts Upstart digital publishers and local news publishers will be disproportionately hurt because they have a higher chance of getting a lot of their referral traffic from Facebook, said Andrew Montalenti, co-founder and CTO of web analytics firm Parsely. “If you went full native, I think you’re losing pretty big right now,” he said.

Big ones could be hurt, too, if they have a main page with a big follower count that used to deliver reliably high reach because Facebook will now prioritize content that people share or comment on. “They used to reliably be able to say, ‘If we put a new post on that page, we’ll get a reliably high engagement,’” he said. Reach of those pages could decline in favor of smaller, topic-specific pages that people feel more invested in.

Feed filler Repurposed TV commercials and 90-second “how pencils are made” videos aren’t going to cut it in the news feed anymore. Anything that people consume passively as they’re scrolling through their feed is unlikely to see real engagement in terms of comments and shares, and will likely be deprioritized as a result. Publishers that have relied on those tactics to rack up massive “view” counts in recent years could find themselves coming back to earth with a bump.

“I have a hard time feeling too bad for a publisher,” said Stein. “To depend on Facebook for organic reach is not a strategy.”

via Digiday

[alemicheli76]

Cercate un noir capace di coniugare mistero e umorismo? Il blog consiglia "La mano del Santo" di Carlo Ciatti, Nardini editore. Non ve ne pentirete!

Cercate un noir capace di coniugare mistero e umorismo? Il blog consiglia “La mano del Santo” di Carlo Ciatti, Nardini editore. Non ve ne pentirete!

      Arrivato al cassonetto con la sua cassetta a mano, sollevò

il coperchio e svuotò il contenuto all’interno, dove la gente

abitualmente getta tutto all’infuori di quanto permesso.

Dentro una ruota di bicicletta galleggiava, su una coltre

di sacchetti, bottiglie e carta, tanta carta, un vecchio libro:

Edizioni Luce XII anno Era Fascista. Cominciò a scorrerlo,

interessato. Nelle…

[dixie78]

Jane Bradley: I'm refraining from doing my youth dream job, are you?

Becoming a reporter is an ambition for numerous kids prior to they go with something more 'sensible', but I desired to be a veterinarian, writes Jane Bradley.What did you desire to

be when you grew up? I imagined ending up being

a vet, after a summer season visit to my auntie and uncle who live on a horse farm in the United States and run a veterinary hospital. Age 6, seeing my Uncle Lenny stick his gloved hand into a horse to check on the position of a soon-to-be-born foal seemed in some way to be an unimaginably glamorous profession path.Combine that with a love for the 1980s TELEVISION series All Creatures Great and Small and the scene was set: I was going to be a female James Herriot with an effective small animal practice in the Yorkshire Dales.There was just one

issue, which I didn't truly confess to myself up until a couple of years later-- I didn't actually like animals that much. I was also, though I disliked to acknowledge it, a little terrified of them, particularly the ones with teeth. I would have made a horrible vet. I later changed my obligations to the written word and by the age of 10, had chosen my fate was in journalism. Abnormally, obviously, I in some way seem to have stayed with it. A report out this week noted journalism as one of those professions which people ranked as their top aspirations when they were kids-- in addition to fashion model and private detective-- but which they rapidly dumped in favour of a more"practical"career when they grew up.The survey, from tasks website Certainly, likewise discovered that horticulturalists, wine cups

and wedding event planners make the list of things that young people thought they may do, but that were rapidly dropped in favour of more practical options as they got older.Some, obviously, such as my coworker Kevan-- who put journalistic dreams on hold from the age of 16, however lastly got his first newspaper job aged 37-- have actually been fortunate enough to wind up operating in their chosen profession. My buddy Tamsyn based her teenage profession choice on fellow Scot Anna, a character in 1990s TELEVISION series This Life, played by Daniela Nardini-- and persevered." I wanted to be an attorney, like Anna in 'This Life '," she explained."I am an attorney and I still have a hairstyle influenced by Anna's, so I believe that's a win. "In some cases, of course, life throws up opportunities that individuals would never ever otherwise have considered-- or learnt about. A great deal of profession choices are made through fundamental chance-- or lack thereof. In the location I grew up in, almost everyone operated in the chemical industry: either as engineers or on the plant floor. Outside of that, other individuals had regular tasks which have to exist everywhere: in retail, the service sector, mentor, medication. It was only when I went to university that I realised that other individuals( or rather other individuals's moms and dads) did things for a living that I 'd never ever even heard of: marketing executives, marketing managers, charity fundraising events. If I 'd understood they existed previously, they might well have actually become part of my long-term plan.When he was 5, my good friend John informed his sis that he wanted to end up being a cow when he grew up. It is possible that he was broaching a cow of the pantomime range, as in his teens he embraced an enthusiasm for acting as well as completed drama school-- just to end up being involved in a summertime charity help program which took him to eastern Europe, where he has lived, operating in different capacities, for the bulk of the previous 2 decades.My previous university flatmate, Mike, on the other hand, dreamed of being editor of the Beano, postponed his degree for a year to play in a semi-successful rock band in Italy, and has now lastly calmed down in Singapore, where he operates in sales for a sports media team.Is he happy

with his option? He says so, though I privately wonder whether he is holding out hope that he will one day scoop the leading task which will allow him to choose the adventures of Dennis and Gnasher and give out badges for the Beano fan club.Oliver wanted to end up being an architect, but his musical talent took over and

he was forced to put aside a steady career-- still dabbling style on the side-- to front among the UK's most effective cover bands.Others have realised their youth dreams, even if it has actually taken years to do so. In reality, I am pleased at the number of my good friends say they have actually attained the aspirations they set on their own as children. Laura wished to be a dancer and, at the age of 20, scooped a job at the Moulin Rouge in Paris. Jayne wanted to be a photographer or a steam train driver.

After a lengthy profession in photography, she is now in training to drive steam engines in her extra time, complete with bring boiler fit and flat cap.Edinburgh-based author Alison Belsham tells me she harboured ambitions to be a tap dancer for much of her youth, however discovered herself somewhat hampered by her 2 left feet. "I did it at school, however I was absolutely helpless, "she admits."But I likewise wanted to be an author, which I have actually simply achieved. "Even some of those who have made a long and successful profession out of a non-practical task

had to wait it out before they attained their objective. Star Hugh Jackman, best known for playing Wolverine in the X-Men motion pictures was used as a PE teacher at an English public school, while Whoopie Goldberg worked as a beauty therapist in a morgue prior to shooting to fame as one of the world's best-known actresses.The Certainly report

claims that more individuals are going back to jobs associating with an interest, enthusiasm and pastime, with simply 12 per cent of those surveyed stating that income was a significant consider their picked profession.When I told my veterinarian auntie that I was composing this column, she admitted that she, too, was terrified of pets as a child-- and suffered additional setbacks after being informed by a 1960s headmistress that a woman could not study veterinary medicine. Perhaps there's still wish for me yet.

[tmnotizie]

ROTELLA – Sarà Peter Aufreiter, il direttore austrico della Galleria Nazionale delle Marche di Urbino, a presentare domani sabato 20 luglio alle ore 17.30 presso il Museo di arte sacra di Rotella il catalogo (Nardini editore FI)  della mostra ‘ANNUNCIAZIONI ‘CRIVELLESCHE’ TRA MARCA E ABRUZZO: il ritorno delle opere di Rotella nelle terre ferite dal sisma’.

Il nucleo centrale della mostra è costituito dal ritorno a Rotella dopo 100 anni di un gruppo scultoreo tardogotico, raffigurante l’angelo annunziante e la Vergine annunciata della fine del 1400; le sculture infatti furono vendute nel 1919 dall’allora parroco e acquisite dalla Galleria Nazionale delle Marche attraverso il Soprintendente Luigi Serra.

Oggi le due sculture fanno bella mostra lungo il percorso della Galleria di Urbino ed è stato proprio il Direttore Aufreiter ad acconsentire al prestito temporaneo per la mostra di Rotella facendo ricongiungere le sculture alla loro comunità.

Ad esse si sono affiancati altri gruppi scultorei dello stesso soggetto che sono stati accostati a quello di Rotella da importanti storici dell’arte dagli anni Trenta in avanti e che oggi si possono ammirare finalmente insieme per la prima volta. Primo tra tutti quello del museo fiorentino del Bargello in pietra della Maiella proveniente dall’Abruzzo (esposto al Bargello nel salone di Donatello ma talmente in alto da non poter essere ammirato) e quello raffinatissimo e prezioso proveniente dalla Galleria Nazionale dell’Umbria oltre a quello dalla pinacoteca di Ripatransone, una croce con un niello raffigurante l’annunciazione proveniente da Monteleone di Fermo, un arazzo fiammingo realizzato da un atelier di Bruxelles e ora conservato nella Pinacoteca di Fermo insieme ad altre opere ancora.

Peter Aufreiter introdurrà domani la pubblicazione del catalogo della mostra mentre il dott. Alessandro Marchi del Polo Museale dell’Emilia Romagna potrà esporre più direttamente le varie opere presenti nel catalogo; fino a qualche anno fa era un funzionario storico dell’arte della Soprintendenza di Urbino e conosce benissimo il nostro territorio.

Infine la nota casa editrice che ha pubblicato il catalogo è la nota casa fiorentina ‘Nardini Editore’ che ancora una volta felicemente sposato la causa di pubblicare un catalogo dei Musei Sistini del Piceno.

Curatori: Paola Di Girolami, Alessandro Marchi e Massimo Papetti

Autori dei saggi: Paola Di Girolami, Alessandro Marchi, Alessandro del Priori e Giuseppe Capriotti